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The Prize for a Project That Never Opened: C2 Arabic Story

C2 · Story 25 · Modern Standard Arabic

Distinguish an award’s scope from the practical claims implied by its presentation.

Reading pavilion model, design-prize plaque, caption card, locked door and key. With the Araqick logo and araqick.com watermark.
ABOUT THIS STORY

A winning model looks like an open pavilion in a cropped photo. A neighbour asks when she can visit.

01Read the Arabic story

الْجَائِزَةُ لِمَشْرُوعٍ لَمْ يُفْتَحْ

وَضَعَتْ لِينَا نَمُوذَجَ جَنَاحِ الْقِرَاءَةِ عَلَى طَاوِلَةِ الْمُسَابَقَةِ. كَانَ النَّمُوذَجُ صَغِيرًا، لَكِنَّ تَوْزِيعَ الْمَمَرِّ الْوَاسِعِ وَالْمَقَاعِدِ الْمُنْخَفِضَةِ ظَهَرَ بِوُضُوحٍ. أَمَّا الْغُرْفَةُ الَّتِي اخْتَارَهَا الْفَرِيقُ فِي الْحَيِّ فَظَلَّتْ مُغْلَقَةً؛ لَمْ تُثَبَّتْ رُفُوفُهَا بَعْدُ. عِنْدَمَا أَعْلَنَتِ اللَّجْنَةُ الْفَوْزَ، كَانَتْ وَرَقَةُ الْمُسَابَقَةِ تَصِفُ الْجَائِزَةَ بِأَنَّهَا لِأَفْضَلِ تَصْمِيمٍ مُقْتَرَحٍ. وَوُضِعَتِ الْجَائِزَةُ بِجَانِبِ النَّمُوذَجِ لِلتَّصْوِيرِ.

نَشَرَ زَمِيلُهَا صُورَةً لِلنَّمُوذَجِ، وَكَتَبَ: «جَنَاحُنَا يُرَحِّبُ بِجَمِيعِ الْقُرَّاءِ». اِقْتَطَعَ الصُّورَةَ حَتَّى اخْتَفَتْ حَافَّةُ الطَّاوِلَةِ، فَبَدَا السَّقْفُ الصَّغِيرُ سَقْفًا حَقِيقِيًّا. أُعْجِبَتْ لِينَا بِالْمَنْشُورِ وَشَارَكَتْهُ؛ فَقَدْ وَجَدَتْ فِيهِ أَخِيرًا مَا يُظْهِرُ جُهْدَ الْفَرِيقِ. وَلَمْ تَسْأَلْ أَيَّ مَكَانٍ سَيَتَخَيَّلُهُ مَنْ لَمْ يَرَ النَّمُوذَجَ عَلَى الطَّاوِلَةِ. لَمْ يَكُنْ فِي الْمَنْشُورِ مَوْعِدٌ مُحَدَّدٌ لِلزِّيَارَةِ.

فِي الْمَسَاءِ سَأَلَتْهَا جَارَةٌ عَنْ سَاعَةِ الْفَتْحِ. أَجَابَتْ بِحَدِيثٍ عَنِ الْجَائِزَةِ، فَكَرَّرَتِ الْجَارَةُ سُؤَالَهَا. عِنْدَئِذٍ تَوَقَّفَتْ أَصَابِعُهَا فَوْقَ الْهَاتِفِ قَبْلَ الْجَوَابِ، ثُمَّ كَتَبَتْ لِينَا أَنَّ الْمَكَانَ لَمْ يُفْتَحْ قَطُّ. عَادَتْ إِلَى تَعْلِيقِ أَحَدِ الْحُكَّامِ: «تَوْزِيعٌ جَيِّدٌ لِمَسَاحَةٍ صَغِيرَةٍ». كَانَ يَصِفُ حَلًّا مَرْسُومًا، لَا خِدْمَةً يَسْتَطِيعُ الْجِيرَانُ اسْتِعْمَالَهَا الْآنَ.

اِقْتَرَحَتْ تَغْيِيرَ الْعِبَارَةِ إِلَى: «تَصْمِيمُنَا الْفَائِزُ لِجَنَاحٍ لَمْ يَفْتَحْ أَبْوَابَهُ بَعْدُ». قَالَ زَمِيلُهَا إِنَّ ذَلِكَ سَيُظْهِرُهُمْ كَأَنَّهُمْ أَخْفَقُوا. فَأَبْقَتْ صُورَةَ الْجَائِزَةِ، وَأَضَافَتْ صُورَةَ الْغُرْفَةِ الْخَالِيَةِ. وَسَأَلَتْهُ عَمَّا تَقُولُهُ الصُّورَتَانِ مَعًا. لَيْسَ التَّصْمِيمُ فَاشِلًا، وَلَكِنَّ الْبَابَ مُغْلَقٌ. كَانَ عَلَيْهَا أَنْ تَكْتُبَ هَذِهِ الْجُمْلَةَ بَعْدَ أَنْ سَاعَدَتْ فِي تَغْيِيبِهَا.

فِي الصَّبَاحِ حَمَلَتْ مِسْطَرَةً إِلَى الْغُرْفَةِ وَفَتَحَتْهَا لِلْفَرِيقِ، لَا لِلْقُرَّاءِ. وَضَعُوا قِطَعَ خَشَبٍ مَكَانَ الرُّفُوفِ الْمُقْتَرَحَةِ. سَأَلَتْ: «هَلْ يَبْقَى الْمَمَرُّ وَاسِعًا بَعْدَ تَثْبِيتِهَا؟» لَمْ يَكُنْ ذَلِكَ طَعْنًا فِي الْحُكْمِ، بَلْ سُؤَالًا عَنِ الْخُطْوَةِ التَّالِيَةِ. بَقِيَتِ الْجَائِزَةُ فِي الْمَكْتَبِ، وَبَقِيَ سُؤَالُ الْجَارَةِ عَلَى لَوْحَةِ الْعَمَلِ بِلَا مَوْعِدٍ مَكْتُوبٍ.

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Lina placed her model of the reading pavilion on the competition table. The model was small, but the layout of its wide passage and low seats was clearly visible. The room the team had chosen in the neighbourhood remained closed; its shelves had not yet been installed. When the committee announced the winner, the competition sheet described the prize as being for the best proposed design. The prize was placed beside the model for photographs.

Her colleague posted a picture of the model and wrote, “Our pavilion welcomes all readers.” He cropped the picture until the edge of the table disappeared, making the little roof look like a real one. Lina liked the post and shared it: at last, she found something that showed the team’s effort. She did not ask what place someone who had not seen the model on the table would imagine. The post gave no specific visiting time.

That evening, a neighbour asked her about opening time. She answered by talking about the prize, so the neighbour repeated her question. Lina’s fingers paused over her phone before she replied; then she wrote that the place had never opened. She returned to one judge’s comment: “A good layout for a small space.” He was describing a solution on a drawing, rather than a service the neighbours could use now.

She suggested changing the wording to “Our winning design for a pavilion that has not opened its doors yet.” Her colleague said that would make them look as though they had failed. She kept the prize picture and added a picture of the empty room. She asked him what the two pictures said together. The design was not a failure, but the door was closed. She needed to write that sentence after helping to leave it out.

In the morning, she took a ruler to the room and opened it for the team, rather than for readers. They placed pieces of wood where the proposed shelves would go. She asked, “Will the passage remain wide after they are installed?” This was no challenge to the judging, but a question about the next step. The prize remained in the office, and the neighbour’s question remained on the work board without a date written beside it.

02Useful words from the story

Words in The Prize for a Project That Never Opened
Arabic in the storyMeaning here
نَمُوذَجَmodel; scale representation
الْمَمَرِّthe passage
وَالْمَقَاعِدِ الْمُنْخَفِضَةِand the low seats
تَصْمِيمٍ مُقْتَرَحٍa proposed design
اِقْتَطَعَhe cropped; cut down
الْمَنْشُورِthe post
تَوْزِيعٌlayout; arrangement
تَغْيِيبِهَاconcealing it; leaving it out
مِسْطَرَةًa ruler
طَعْنًا فِي الْحُكْمِa challenge to the judging

03Check your understanding

Choose one answer per question. Track voices, omissions and competing accounts. Choose the reading best supported by the Arabic text.

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What to remember

  • Recognition for a proposal does not establish that its promised service is available.
  • Cropping and omission shape what a truthful award announcement appears to claim.

Explore the Arabic in this story

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    كَانَ النَّمُوذَجُ صَغِيرًا

    See how kana keeps the noun nominative and makes its past-state adjective accusative.

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    لَيْسَ التَّصْمِيمُ فَاشِلًا

    Review laysa with a nominative noun and accusative adjective denying a present description.

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